#I JUST. IT SOUNDS VERY DARK TO MY BRAIN.

[danieyells]

Me: "行く川の流れに身を委ね" "Surrender Oneself To The Flow Of The River" probably just means something like 'go with the flow'. 'Don't fight fate'. Stuff like that. It makes sense for Haku, he's going where life takes him even if he doesn't wanna go there because there's no point in resisting.

Also me: so was the PC gonna jump in the river when Haku stopped them or vice versa or are they both jumping in the river together how dark was this gonna be before it turned into a date

[scorpiusmalfoylovesoscarwilde]

albus severus is the human embodiment of be gay do crime, in this essay I will-

[thepandalion]

help I'm going insane over deltarune and Undertale stuff again

[jrueships]

I HATEEEEE DYSPEXIA!!!!!!!!!!!!!!!!!!!

[loverboybrightsideghost]

"reblog for something lgbt to happen to you" at this point i'd be grateful if something straight happened to me

[citrine-elephant]

mmm yes. story narrative developing.

the real reason leon's been MIA since re6? been held hostage in the spooky dungeon basement. he's escaping late 2025 - early 2026.

[winds-of-zephyr416]

You know, I’ve been having a lot of OC thoughts lately. Usually my family gets to hear most of them, but none of them are available so now it’s tumblr’s turn for insanity :)

So in my fantasy world that I’ve been building for a couple of years or so now, I have these… gods. Eldritch, celestial beings who exist as spirits in the world. They don’t really consider themselves gods, they’re really more like a lost civilization than anything, but the premise still stands.

Anyways, I’ve been thinking a lot about their culture and language lately. They don’t really have to contend with things like death, they’re very much so immortal and almost impervious to harm, so they don’t really do a lot of things for survival. They also typically communicate with a form of telepathy, so language isn’t even a necessary thing for them.

But they still have a language. They still have architecture. They still have a society that comes together to solve problems. Granted, it’s a lot different than what human civilizations look like, because of the whole “impervious to harm” thing, but they have it, and that’s what’s important.

You know what else is important? Their language. Especially their language. Good lord I am not normal about their language.

Their language is made up of sounds that mimic the world around them. Some words are built up out of rippling streams and birdsong, while others are made out of sounds impossible for us to even hear. Their words are crafted, and many are made to have double meanings and ambiguity. They can’t be ambiguous when they trade thoughts and ideas through their minds, so the notion of being able to say something with multiple meanings fascinates them. They write songs and poetry, and they are engrossed with it, because sound has never carried so much meaning before. They make jokes. They find misunderstanding hilarious, because they’re so alien to their usual way of communicating. They adore puns. Language isn’t a necessity for them, but they developed it anyway, because it gave them a new way of having fun that they had never encountered before in their billions of years of being alive.

Later on, when humanity comes into the scene, they realize that they can use this thing called language to talk to them. Humanity is not like the gods, humanity needs to communicate through a physical medium, whether it be through sight or hearing or touch. Humanity is often confused or overwhelmed when the gods converse with them, because they find that many of the sounds the gods use are completely incoherent. They can’t recreate the sound of thunder in the sky, or crackling flame, and often they look around them in fear, as if the sound alone is indicative of danger.

So, the gods adapt. They learn the languages of humanity, instead, and talk to them in their own tongues. But mortals are curious, and the gods love to learn and teach, so it isn’t long until the gods try to translate the sounds of their language into something humanity can listen to and understand. The music of the slow cracking of the earth is shifted up in pitch until mortals can hear and hearken to the sound, and the mortals in turn recreate it with what their voices will allow. Slowly, the gods make their language perceivable, and slowly, humanity teaches them how to make it pronounceable.

The resulting speech is neither mortal nor divine, but somewhere between the two. Its words have a rippling quality, and in each sentence one can almost hear what is being spoken. The word for wave becomes a low crash, the word for music becomes a dancing song in the ears of whoever is there to listen. There is no doubt that there is magic in these words, with the way they call everyone in the room to their attention and fill their hearts with the very soul of what is being said. This language is not magic in a sense of control, it does not bind things in the world to its will, but it carries with it the memory of the world it was made to describe.

Later on, this middle ground, this speech both mortal and divine, would become lost and forgotten. It would not vanish violently, with the sudden fall of an empire, nor would it fade away with the few who are “worthy” of speaking such a tongue. No, instead it would grow and evolve with the people who learned it, moving across the continent and coming into contact with new lands and people. There, it would teach and learn in turn, and then diverge again, becoming yet another middle ground.

Slowly, like this, the language of humanity and gods together disappears. It does not die, but it dissolves, morphed into a thousand little pieces that stay on in other languages. It can still be found, if you look close enough, at the way speakers arrange their words, or in the rhythms they like to sing. Not even its name is truly past, still being borne by a speech that closely resembles the one long gone.

No, the language of mortals and the gods does not die, because, even in the darkest of days, when it seems like the world will perish and all life along with it, each syllable uttered in fear echoes the language that once carried nothing but joy, and each sentence given in comfort is another window into the years when things were bright. The tongues of mortals do not forget, even if humanity itself has.

And even so, were the speech of humans ever to forget what they helped to create, the gods would still remember. And maybe, the gods would teach and be taught by the mortals once again, in spite of the mutilated darkness that enshrouds these present days. Perhaps they already have.

[zincbot]

christ alive this can't be it dog

[the-acid-pear]

Why did my cooking dream get hijacked by my brain making a William Afton oc and au what was that about.

[itspileofgoodthings]

literally sometimes my brain won’t work right when I am under stress or anxiety or just riding waves of turmoil but it still keeps going through the motions of working—grinding, whirring, spinning, turning etc etc etc. but all unproductively—and so I have to take my brain and put it on ice like “you CANNOT use this right now Maria it is not working right” and then go do other things and it has been the hardest thing in the world for me to learn but also one of the most important lessons from this season I think. just to haul myself out of the pit of my own thinking and go look at the sky or some grass.

[listen-to-the-inner-walrus]

You know what? I'd never thought of Stellen Skarsgård when asked this question before, but holy fuck is it the correct answer.

hii i recently fell in love with movies again so i made a uquiz where you can find out which actor would play you in a film about your life.

[gallusrostromegalus]

Might I inquire as to what, precisely, a Mustain't is? (Aside from a string of letters I hesitate to Google in that order.)

In October 2014 I went on a road-trip to the Dryest Place In America.

I was having a rough year, very depressed from having dropped out of college for the third time. I decided a road trip was in order to re-set my brain and get a little distance. Being that it was October, and therefore all the campgrounds in the American Southwest were filled with people who have the good sense to camp in reasonable temperatures, I elected to take my parent's minivan so I could car-camp anywhere suitably isolated, and looked up some of the southwest's geographic extremes- the highest place I could drive to (Pikes Peak), the lowest place (Badwater Basin), and for fun, the Dryest Place in the continental US, which turned out to be the Pinacate Volcanic field just west of Organ Pipe Cactus National Monument. It gets rain maybe twice a century and has no standing water, despite being less than 100 miles from the gulf of California.

It's a startlingly beautiful and alien place. The ground is a deep chocolate brown to black volcanic sand, and in mid October, the rabbit brush is turning bright yellow as it shifts to autumn, the organ pipe cacti are a dark green and stand, partially concealed in the brush at exactly human height. The air is alive with birds and insects and bats at night. The stargazing is like looking into the eyes of God.

You get there by driving down a little dirt road called "El Camino Del Diablo", or "The Devil's Road".

I drove out about three hours from Glendale, AZ to get there, arriving at sunset, and felt a profound sense of peace. I stargazed, listening to the bats hunt and sing, and slept peacefully for the first time in months.

I stayed out there for three days, sketching and painting the landscape, taking strolls through this almost alien landscape, and enjoying the light and sound and total absence of human intrusion besides myself.

On the fourth night, it was a new moon, and I awoke in the middle of the night. Something was amiss, and it took me a while to realize it was because I could NOT hear the bats. I was sleeping inside the van with the rear windows rolled halfway down rather than trying to set up the tent, so I when I sat up, I looked out of the van's reflective windows to discover what at first appeared to be A Horse.

It was something between pale gray and bright white in the starlight, standing maybe a dozen feet from the van, sniffing curiously. It made sense- I was in the middle of mustang country and there was quite a bit of foliage in the area for it and it did look like a truly wild horse- lumpy where the bones were jutting out, dusty about the hooves and face.

I was instantly seized by the sort of paralytic fear Sleep paralysis is made of. I couldn't move. It wasn't quite looking at me because it couldn't quite see through the windshield into the shadowy into the shadowy interior, but I had the distinct impression that if I looked away, it would know, and get me.

I already had problems with horses. My beloved Aunt Helen's Prize mare tried to kill me on two separate occasions, and the year before I had to carry my sister-in-law backwards out of a slot canyon whilst reciting the Saint Crispin's Day Speech as loudly as possible to keep a mustang from trampling us to death.

This is approximately what it should have looked like:

Instead, it was... off. like trying to draw a horse from memory.

The waist tapered in.

The legs were slightly too long or the torso slightly too short, probably both.

The ears were Triangular.

The head wasn't quite right- Too narrow and the jaw wasn't heavy enough.

The tail was too long and arced unnaturally away from the body.

The neck arched.

The nostrils were too high and close

The mouth too long.

Whatever this is, a Mustang it Ain't.

I watched it from the back seat as it sniffed around the front of the van, curious with about the side mirrors. It moved around the van, nibbling experimentally on the front door handle. It came up to the side windows, sniffing like a dog, and it's breath didn't fog up the glass.

Finally, it came up to the rear window, which was rolled halfway down to let the fall night air in. Not even half a pane of glass and two feet of air between us, and I could clearly see it's bright blue eyes.

Horses have Elongated pupils to give them a wide field of vision, and eyes that rotate sideways in their sockets so the pupil remains parallel to the ground. Rather creepy to watch, especially the ones with blue eyes.

A real horse that was curious about the interior of the van would have come up to the window more or less sideways, and looked at me with something like this:

Instead, the damn thing walked up and faced the back window head on, staring back at me with this:

I'm not sure how long we watched each other like that, eyes locked. My eyes burned. I couldn't blink. My mouth was dry. I couldn't swallow. My throat began to ache. I couldn't make a sound. My skin began to twitch, like I was severely dehydrated. I couldn't move. My lungs burned. I couldn't move. I couldn't move. I couldn't move. I couldn't move.

Something was touching the side of my hand on the seat next to me. It's my water bottle.

The realization must have broken the terrible paralysis in the lower parts of my brain first, because by the time I consciously realized I could move again, I was already flinging my water bottle out the window at it.

The top was open, and splashed out the window at the Mustain't.

I've never heard such a scream out of an animal. Something halfway between the sound of unquenchable rage vibrating in someone's chest and the way rabbits cry out to God when the dogs catch them.

It jumped back, pivoting away from the van, snarling at the water bottle. I don't think you're supposed to be able to see All of a horse's teeth at once, no matter how angry it is.

I watched it run into the night for some distance, it's pale body visible against the black sand and the dark gray shadow of the ancient volcanic cone it was headed for.

When the blood stopped pounding in my ears, I could hear the bats again.

I debated leaving right then, but I didn't want to get out of the van with that thing in the area, nor litter by leaving the water bottle out there. I also had the awful idea that if I left now, it might somehow be able to follow me home. I ended up staying up three hours to watch the sunrise, shaking and trying to figure out if I'd woken up from a vivid dream, if my meds had stopped working, or if that had really happened. I didn't dare move until I actually felt the temperature rise, before stepping out of the van to grab the bottle. I had my camera ready- I was still using a DSLR back then- to take pictures of the hoofprints, to show how close it had gotten to the van.

No hoofprints.

Beetle tracks in the soft sand around the van, and the clear foot-and-wing prints of a bird that had hopped around then taken off. But no hoofprints.

I went over the entire campsite with the tent broom, to make sure I removed every scrap of evidence I had ever been there, including my footprints, grabbed my water bottle, and drove the three hours back back to Glendale, then decided to do seven more hours of driving to Moab, Utah just to put more than 500 miles, the state line and at least nine things that could be considered "running water" between me and the Mustain't.

-

I still have that water bottle. It has a dent in the bottom from hitting something, but that could have happened at any time. Strange thing though. I can't drink that bottle dry. I'll have it on me, drink whatever I've put in there- water, juice, iced coffee- and eventually feel like I've drunk the whole think and that it's empty. But I open it up and it's still at least a quarter full. I drink that. I get thirsty. I open it up again. ...and there's always a mouthful left.

Not sure what the side effects of drinking from a bottle cursed by a Mustain't to always have some left are, but it lives in the Emergency Breakdown Kit in my car now, just in case I meet another one.

---

(I'm a disabled artist and make my living telling stories, please consider supporting me on Ko-Fi or Pre-order the Family Lore book on Patreon)

[lostfracturess]

seven minutes of misunderstanding — satoru gojo

of all the ridiculous situations you've found yourself in, being trapped in a closet with satoru gojo has to top the list. especially when you're convinced he's dating his best friend.

Of all the places you expected to end up tonight, being crammed in a tiny closet with Satoru Gojo wasn't one of them.

A stupid campus party game had somehow led to this moment—you, him, and about fifteen winter coats in a space barely big enough for one person, let alone two.

You're painfully aware of every point where your bodies touch — your back against his chest as you try to avoid the hanging coats, his breath tickling your neck, his hand awkwardly hovering somewhere near your waist like he's not sure where to put it.

The closet is so small that when you attempt to turn around to face him (because somehow facing him seems less intimate than having his breath on your neck), your chest brushes against his.

You hear his sharp intake of breath, feel the way his body tenses against yours. You're so close to him in a way it makes your skin tingle, and you're grateful for the darkness hiding your blush.

"So..." Satoru drawls. "Come here often?"

"Did you seriously just—" You try to gesture incredulously and end up elbowing him in the ribs with enough force to make him grunt. "Shit, sorry!"

You try to put some distance between you but that only results in you stepping on his foot. "Oh god, I'm so sorry! Again!"

"Just—don't move," he says, his hands finally finding your shoulders to hold you still. You feel the warmth of his palms through your shirt as he clears his throat. "We could just... not do anything. Nothing has to happen if you don't want it to. We can just wait it out."

The consideration in his voice surprises you. You try to see his face in the darkness and end up with a mouthful of fuzzy coat. After spitting out what you hope isn't synthetic fur, you say, "That's really sweet of you. And like, I get it. This must be super awkward for you too."

"Awkward?" He sounds puzzled.

"Yeah, I mean... being stuck in here with a girl when you're..."

"When I'm what?"

"You know..." You wave your hand vaguely in the narrow space. "I just meant, like, with you and Geto..."

There's a moment of complete silence, and then Satoru starts laughing so hard you can feel him shaking against you. "You think— me and Suguru? Oh my god, is that why you turned me down for lunch last month?"

"Wait, what? I thought you were just being nice! You're always hanging all over Geto—"

"Because he's my best friend."

"And that time I saw you feeding him—"

"He had a broken arm!"

"The couples' costume at Halloween—"

"We were Mario and Luigi! They are brothers."

Every explanation makes you want to dissolve into the floor more. "Oh my god," you say. "You know everyone on campus thinks you're gay—not that there's anything wrong with that! I totally support you two, you're so cute together and—"

"Can you please stop," he interrupts, pressing a finger to your lips to silence you. "I am very, very interested in women."

Your heart skips. "Oh, really?"

"Yes." His voice drops lower as he removes his finger from your lips. "One woman in particular, actually." You can feel him lean closer. "And she's currently pressed up against me in a very small closet."

"Oh," is all you can manage, your brain short-circuiting as you process his words. You try to lean back slightly, but there's nowhere to go, and suddenly his face is very close to yours.

Then he asks a question you never thought Satoru Gojo would ever ask you. "Can I kiss you?"

The question is soft, almost vulnerable—so unlike the usual Satoru you know. When you don't immediately respond, too shocked to form words, his hand comes up to gently cup your chin, tilting your face up to meet his gaze in the darkness. "Can I kiss you?" he asks again, his thumb brushing across your lower lip.

A breathless "yes" escapes your lips before you can overthink it.

The first brush of his lips against yours is gentle, questioning, like he's afraid you might change your mind.

Then you grab his shirt and pull him closer, and gentle goes right out the window. He kisses like he's trying to prove a point, like he's been thinking about this for ages, and oh — maybe he has been.

His hands slide from your face to your waist, pulling you flush against him as he deepens the kiss. You gasp against his mouth, and he takes the opportunity to sweep his tongue against yours, drawing a small sound from your throat that makes him grip you tighter.

"Still think I'm gay?" he says against your jaw, trailing kisses down your neck that make your knees weak.

"Not sure," you tease him, even as your head tilts back to give him better access. "Might need more convincing."

You feel him smile against your neck. "More convincing, huh?"

In one fluid motion, he presses you more firmly against the wall, his body completely flush against yours. One of his hands slides into your hair while the other grips your hip, thumb stroking the strip of skin where your shirt has ridden up.

"Let me be very clear then." He punctuates each word with a kiss. "I am very—" kiss "—very—" kiss "—interested—" kiss "—in you."

His hand tightens in your hair as his tongue sweeps against yours, drawing a small whimper from your throat that makes him groan in response.

"God," he breathes against your lips, pulling back just enough to speak. "Do you have any idea how long I've wanted to do this?"

You can't form a coherent response because he's already kissing you again, harder this time, more desperate. Something falls off a nearby shelf as you shift against him, but neither of you care.

You're so lost in each other that you don't hear the warning knock. The door flies open, flooding the space with light and the sounds of party chaos.

"God, finally!" Geto's voice breaks through the stunned silence. "Do you know how long I've had to watch him pine over you?"

"Suguru, I will literally murder you," Satoru growls, but he doesn't let go of you. Instead, he leans down, his lips brushing against your ear. "Wanna leave this party?"

And oh, you do.

© lostfracturess. do not repost, translate, or modify my work.

tags. @fayuki @starmapz @saurondriell @starlightanyaaa @sxnkuna

@cocomanga @nanamis-baker @rosso-seta @shervinss @chiyokoemilia

@janbannan

[corkinavoid]

DPxDC "Pick Me Up"

The stream goes live on the first day of the school year. It's the usual song and dance - mad laughing, threats, poor jokes, terror, and about thirty kids huddled together in a classroom behind Joker's back. Tim recognizes it as one of the Gotham Academy classrooms. Dick can't imagine the horror those kids' parents must be feeling right now. Jason jokes about middle school traumatic experiences. Damian is feeling very justified for skipping classes today.

Bruce, all suited up in his Batman garb, is making his way to the Academy as fast as he possibly can. Those are kids.

Gotham is once again anxiously kept on the edge of their seats, watching as Joker decides to interview the kids on their learning experience so far. Something about leaving a good first impression on the new generation or some other bullshit. Most kids stutter over their words - it's true that Gothamites are way more composed when facing life-threatening events, but those kids are only fourteen or fifteen for the most part. They are not old enough to keep their cool in the face of a murder clown.

That is, until Joker points his camera at one of the girls. Black hair in a high ponytail, blue eyes without a trace of fear, a slightly displeased, even bored expression on her face. She looks straight into the camera, not even waiting for the laughing madman to finish his question, and deadpans:

"I don't think I like school. Pick me up, please."

Joker sputters.

"Not so scared, I see," he sneers, and, in the next moment, a comically large gun painted in purples and greens is pointed to the girl's forehead, "How about now?"

The girl scrunches her nose and makes a so-so gesture.

"It's kinda meh," she admits, "Like, yeah, points for style, but you know, size doesn't matter. It's all in the technique."

Dick snorts over the comms. It's a bad time for laughing, sure, but the phrase caught him off-guard. This is not what you'd expect to hear from a teen, and definitely not something you'd expect anyone to say to the Joker. Jason's comms are muted, but Barbara knows he also laughed a little.

"Technique, you say?" Joker hisses, pressing the gun closer to the girl's head, and she winces, leaning away from it, almost as if she is disgusted by the touch.

"Yeah, I mean, guns are not that scary anyway. What are you gonna do with them, blast my brains all over the floor? Been there, done that," the girl shrugs, "Kinda nasty, but overall, it's just like slime, only sticky." She pauses and looks to the side, seemingly lost in thought, "Huh, maybe we should have added Borax to it. Or was it baking soda?.."

"Listen here, you little brat," Joker's fingers catch the girl's chin, and his voice becomes sickeningly menacing. Bruce is almost there, just two more minutes. Tim is already grappling onto the wall.

But none of them get to finish.

"Put your dirty fingers away from my sister," a low, cold, and even in a way that speaks of barely contained fury, voice comes from out of the screen.

The camera spins, like whoever is holding it turned really fast, and everyone watching the stream sees a fairly normal guy standing by the window - a turtleneck and ripped jeans, same black hair as the girl, same blue eyes... Wait, they are not blue.

And that's not a guy.

The camera falls down to the floor, and there are a lot of panicked screams coming from the broadcast now, but none of them sound like children's voices. It's the screams of adults, of grown-ass men, and later, someone even claimed they heard Joker's scream among them, too. The picture on camera glitches a few times, and the angle is awkward, but everyone still gets to see how shadows in the room morph into eyes, wide open and green, and how the darkness grows sharp teeth, countless grinning mouths that don't belong to any faces.

Screams turn into gargling and then to quiet whispers, filling the ears of all those listening with countless words in languages they don't know.

Red Robin turns off the recording and looks to that same guy from the levestream, sitting across him on the couch. The guy - Daniel, or Danny, as he introduced himself - looks him in the eyes and raises an eyebrow.

"Okay, and?"

"How did you do it?" Tim asks for the third time this evening. Danny blinks.

"Did what?" He asks, completely incomprehending. Tim groans. He's been trying to get his answers, any answers at this point, from the guy for thirty fucking minutes already. So far, he's got nothing. Danny, whoever the fuck he is, proves to be the most annoying human being on Earth.

"Seven people in a coma, including Joker himself, with no physical injuries and none of the children remember a thing! How?!" He demands, and a girl's face peeks from around the corner:

"I remember!"

Tim snaps his head at her, "What do you remember?"

The girl pauses, blinks, and looks to Danny. Then shrugs, "My brother picked me up from school."

Tim drops his head down and breathes out in frustration. He can't force the information out of civilians, he is a vigilante, not a mafia.

"Would it make you feel better if I promise not to do it again?" Danny asks, and his voice is way too innocent for Tim to believe him. He raises his head to look the guy in his shameless, amused eyes.

"I hate you."

"Thanks," Danny grins.

[cescalr]

I LOVE HOW YOU TAG PARAGRAPHS THEYRE FUN TO READ!! /gen

Thank you!!! I love to ramble!!!

[the-dear-skull]

What are the people who believe that the Alarm™️ is going to make people zombies going to say when it doesn't make people zombies?